Maestro Ennio Morricone on Musica Sacra
"Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs," says the man "widely regarded as one of Hollywood's finest film score composers" — Ennio Morricone: Faith Always Present In My Music. "I don't like it at all," says the Maestro explains, "Gregorian Chant is a vital and important tradition of the Church and to waste this by having kids mix religious words with profane, Western songs is hugely grave, hugely grave."
(Interviewer Edward Pentin explains "it's turning the clock back because the same thing happened before the Council of Trent when singers mixed profanity with sacred music.")
Of Pope Ratzinger, he says, "He seems to me to be a very high minded Pope, a man of great culture and also great strength." Of the Holy Father's "Reform of the Reform," he says, "He is doing well to correct it. He should correct it with much more firmness. Some churches have taken heed, but others haven't."
Of the Maestro's most reknowned score, that for The Mission (1986), he speaks of its "technical and spiritual effect." Mr. Pentin explains:
[link via The New Beginning]
(Interviewer Edward Pentin explains "it's turning the clock back because the same thing happened before the Council of Trent when singers mixed profanity with sacred music.")
Of Pope Ratzinger, he says, "He seems to me to be a very high minded Pope, a man of great culture and also great strength." Of the Holy Father's "Reform of the Reform," he says, "He is doing well to correct it. He should correct it with much more firmness. Some churches have taken heed, but others haven't."
Of the Maestro's most reknowned score, that for The Mission (1986), he speaks of its "technical and spiritual effect." Mr. Pentin explains:
- By that, he means the way it managed to combine three musical themes related to the movie. The presence of violins and Father Gabriel’s oboe represent "the Renaissance experience of the progress of instrumental music." The film then moves on to other forms of music that came out of the Church reforms of the Council of Trent, and ends with the music of the native Indians.
The result was a "contemporary" theme in which all three elements -- the instruments that came out of the Renaissance, the post-conciliar reformed music, and the ethnic melodies -- harmoniously come together at the very end of the film. "The first and second theme go together, the first and third can go together, and the second and third go together," Morricone explains. "That was my technical miracle which I believe was a great blessing."
[link via The New Beginning]
Labels: Classical Music, Corea, Early Music, Las Américas, Musica Sacra, The Catholic Faith, The Holy Father, The Seventh Art


1 Comments:
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